Poets, thinkers and leaders of the West appear from
an Eastern point of view in Western Images. Modern Western thinkers
hold symposiums with ancient Persians. Rumi debunks the philosophy
of Hegel, joins a conversation between English poets and Mirza Ghalib,
and listens to Goethe reading out his most famous play, Faust.
The playwright comes to compromise with a stage
director for presenting something entertaining as well as thoughtful:
Faust, a tragedy in two parts.
The play opens in Heaven where the Devil, as Mephistopheles,
lays wager with God that the pious Doctor Faust shall end up in
hell. On earth, Faust agrees to give his soul to Mephistopheles
in exchange for a moment so fair that Faust should wish it to
last.
This is difficult because Faust is insatiable. He
ends up seducing his beloved Margaret a.k.a. Gretchen, and ruining
her life (although her soul is still saved by Divine Grace). He
summons the spirit of Helen of Troy, provides advice to monarchs
and goes on to launch voyages of discovery which unfortunately
turn into colonialism – “then commerce, war and piracy
are three in one and cannot be parted.”
Undeterred, Faust makes plans for reconstructing
the world as a veritable paradise free of violence, which is an
undesirable remnant of the ancient days of despotism. Mephistopheles
gets his chance of claiming the soul of Faust when the latter
begins to visualize this perfect world of his own creation and
declares that such shall be the moment to which he might say,
“Abide, you are so fair!”
Mephistopheles still loses the wager because Faust
only declared his intention of wanting a moment to last but such
a moment did not actually arrive.
Rumi offers feedback on this masterpiece. “Your
thought has made its home in the inner recesses of the heart and
created this old world anew,” he says to Goethe. “He
who is blessed and is a confidant, knows that cunning comes from
the Devil and love from the human being.”